Story: Ever since their school days, Anand (played by Anand Deverakonda) and Vaishnavi (played by Vaishnavi Chaitanya) have had an unbreakable relationship.
However, a new boy named Viraj (Viraj Ashwin) and a new lifestyle turn their love story upside down.
Review: Director Sai Rajesh presents a love story in “Baby Telgu Movie” that hasn’t been seen in Telugu cinema for some time. The film is a mix of ideas, some good, some problematic, some not fully realized, and some presented so subtly that you wonder if the conclusion you’ve drawn is accurate.
Vaishnavi is a spirited young girl whose eyes light up every time she sees Anand. It doesn’t matter why she loves him; her eyes sparkle at the sight of him. Anand soon reciprocates these feelings, even seeking her approval. While Vaishnavi graduates from school and gains admission to an expensive college that takes her away from their ordinary lives, Anand starts driving an auto to make ends meet. A new life, friends, and a boy named Viraj await Vaishnavi at this juncture. But what happens that jeopardizes their love?
On one hand, “Baby Telgu Movie” feels like a story that an insecure person who dislikes change and empathizes with an evangelist syndrome can cling to because it validates their emotions. On the other hand, it feels like a story that holds up a mirror to society, one that scrutinizes women who, whenever and wherever possible, try to find happiness even when they are dejected. The film’s scenes swing between these two aspects, surprising you with how far Sai Rajesh has gone in staying non-judgmental and appeasing all kinds of viewers. However, when he focuses, the poignant drama is quite solid.
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What works for the film is Vijay Bulganin’s performance and the music. Every time the main actors faint, experience sadness, or get stuck in emotions that can’t be described in words, Vijay is there to help you experience it with the on-screen actors. The songs also flow seamlessly. Anand Deverakonda and Viraj Ashwin have poured their heart and soul into their roles. Especially Anand has a few scenes where he mesmerizes you with his performance. But the film wouldn’t be the same without Vaishnavi, who makes a fantastic debut on the silver screen. Despite its flaws, Sai Rajesh is skilled at writing scenes that keep you hooked. He succeeds in keeping things unpredictable most of the time.
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Title: “Unveiling the Multifaceted Love in ‘Baby’: A Thought-Provoking Review”
Introduction:
Director Sai Rajesh brings a refreshing love story to Telugu cinema with “Baby,” offering a blend of captivating ideas that range from commendable to thought-provoking, and sometimes leaving us questioning our own interpretations. In this review, we delve into the film’s narrative, exploring the dynamics between the spirited Vaishnavi, whose eyes illuminate upon seeing Anand, and the challenges they face when confronted with new circumstances.
Unbreakable Bonds and Uncertain Paths:
Vaishnavi’s unwavering affection for Anand goes beyond explanation; her eyes sparkle with love at the mere sight of him. Anand, too, reciprocates these emotions, seeking her approval as their relationship deepens. However, as Vaishnavi advances to an exclusive college, leaving their ordinary lives behind, Anand takes up driving an auto to sustain himself. A new chapter awaits Vaishnavi, introducing her to a different life, new friends, and a boy named Viraj. What unfolds that puts their love at stake?
A Dual Perspective:
“Baby” presents itself as a tale that resonates with individuals who fear change and find solace in having their emotions validated. Simultaneously, it serves as a mirror to society, examining the resilience of women who strive to find happiness despite adversity. Sai Rajesh artfully oscillates between these contrasting aspects, surprising viewers with his non-judgmental approach and ability to cater to diverse audiences. Amidst these fluctuations, the film manages to deliver poignant moments of solid drama.
The Power of Performance and Music:
Vijay Bulganin’s exceptional musical score and soul-stirring performances contribute to the film’s impact. Through his compositions, emotions come alive, vividly capturing the characters’ struggles, sorrows, and indescribable moments. The songs seamlessly blend into the narrative, enhancing the overall experience. Anand Deverakonda and Viraj Ashwin pour their hearts into their respective roles, with Anand mesmerizing the audience in several captivating scenes. Notably, Vaishnavi’s fantastic debut on the silver screen adds depth to the film. Despite its imperfections, Sai Rajesh’s skill in crafting engaging scenes keeps viewers hooked, ensuring an element of unpredictability throughout.
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Conclusion:
In “Baby,” Sai Rajesh weaves a captivating narrative, exploring the intricacies of love while shedding light on societal perceptions. The film’s combination of evocative performances, enthralling music, and a thought-provoking storyline leaves a lasting impression. While it embraces different viewpoints and leaves room for interpretation, “Baby” succeeds in evoking genuine emotions, making it a noteworthy addition to Telugu cinema.
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